Kar Studio
Formless cabinet, 2025
Fiberglass
150 x 38 x 110 cm
Copyright The Artist
€ 7,000.00
Further images
About the Formless Collection The concept of 'formlessness' comes from Eastern Buddhism, expressing the idea that appearance should not be misleading. Here, form seems to resist being fixed: smooth contours,...
About the Formless Collection
The concept of "formlessness" comes from Eastern Buddhism, expressing the idea that appearance should not be misleading.
Here, form seems to resist being fixed: smooth contours, organic silhouettes, a sense of motion that never settles into a single gesture. The objects resemble fragments of a landscape, gently shaped by the sculptor’s hand.
Fiberglass combined with resin gives the surface a tactile softness and a faint luminous haze — light is not only reflected but also seems to pass through the material. The palette uses just two shades: muted Moss Brown, like damp earth beneath moss, and milky Jade with a subtle hint of stone’s glow.
Each object is hand-molded, so slight irregularities are not mistakes but character. In them, you feel the living presence of the maker.
The concept of "formlessness" comes from Eastern Buddhism, expressing the idea that appearance should not be misleading.
Here, form seems to resist being fixed: smooth contours, organic silhouettes, a sense of motion that never settles into a single gesture. The objects resemble fragments of a landscape, gently shaped by the sculptor’s hand.
Fiberglass combined with resin gives the surface a tactile softness and a faint luminous haze — light is not only reflected but also seems to pass through the material. The palette uses just two shades: muted Moss Brown, like damp earth beneath moss, and milky Jade with a subtle hint of stone’s glow.
Each object is hand-molded, so slight irregularities are not mistakes but character. In them, you feel the living presence of the maker.