About the Formless Collection
The concept of "formlessness" comes from Eastern Buddhism, expressing the idea that appearance should not be misleading.
Here, form seems to resist being fixed: smooth contours, organic silhouettes, a sense of motion that never settles into a single gesture. The objects resemble fragments of a landscape, gently shaped by the sculptor’s hand.
Fiberglass combined with resin gives the surface a tactile softness and a faint luminous haze — light is not only reflected but also seems to pass through the material. The palette uses just two shades: muted Moss Brown, like damp earth beneath moss, and milky Jade with a subtle hint of stone’s glow.
Each object is hand-molded, so slight irregularities are not mistakes but character. In them, you feel the living presence of the maker.